I had a minor bowl-of-petunias moments a while back. I was looking at another project compiling a list of works by women in an attempt to make them visible, when a quiet voice said in the back of my mind, “Oh no, not again.”
Because the list didn’t tell me why I should care about these books. It didn’t tell me why I should read them. It didn’t tell me where to start. It didn’t capture what was in them, how they were like and unlike each other, how they spoke to each other, to their moment, to the history and conventions of genre, which were romps and which were sober, which were controversial, which broke new ground, which refreshed the old, and which did neither but were still fun to read. It didn’t contain any indicators of if-you-liked-this-then-you’ll-probably-like-that or if-you-loathe-hate-and-despise-this-then-touch-not-that-book-with-tongs (so the reader doesn’t get ticked off and fire off one of those “SF/F is all _____” denunciations) . . . for which covers are a dismal guide .
All of that is already out there. People — many much more incisive and more knowledgable than I — have already said a great deal about these books, spanning several decades. We have reviews, articles, commentaries, forum-posts, critiques and commentaries and defences and controversies of decades, and they might as well be invisible to such lists. There wasn’t even an indication of such discussions even having happened.
Collective forgetting is a significant problem with women’s writing. We keep having to start at the beginning again, remaking the lists, rediscovering the books, rediscovering that other people knew about the books, and we all have to do it one at a time.
Back when I first learned HTML, several epochs and browser extinction events ago (I think it was the Mosaic-Navigator boundary), I made lists, too. I’d open my editor and a page, write out “a href=”, paste in the link, remember to close the quotes. These days, I’m still doing pretty much the same thing, though I get to click a button with an icon of a link and fill in form fields, and I only have to hack HTML if something breaks.
What I’d like to be able to do is, for example, directly connect someone else’s mention of Vonda McIntyre’s (terrific) Starfarers Quartet (1989-1994) to the ebook that’s available on Bookview Café, to the article McIntyre wrote about its inception (“It started out as a hoax”), to the article on “Changing regimes: Vonda N. McIntyre’s parodic astrofuturism” that DeWitt Douglas Kilgore published in Science Fiction Studies. Directly. So that if someone finds one, it will lead them straight to the others. Without having to do what I’ve just done, which is having to create an entirely redundant new web-page and stick myself in the middle where I don’t need to be when I’ve nothing new to say. (Although yes, it would be essential to flag the source of the new connections, in the interests of transparency, disclosure, and attribution).
It’s a challenging programming problem; although I am not a librarian or an information scientist, much less a programmer , I know that much. Not only to do it, but to get the interface not only straightforward but appealing enough that it could be widely adopted. It might not even be possible. But I also have the feeling that we could be further along than this, and I wonder if one reason might be the influence of commercial interests shaping development of the web over the past decade.
In its beginning, Google search was a significant advance, returning results that reflected links made by humans who were informed and interested on a topic, so that the substantial material would rise to the top, and the first page of a Google search was a valuable snapshot of the good material on any subject – or book. Google became the go-to aggregator of information.
Then the web went dot-com, and Google got into the advertising business. SEO became an industry, and now what floats to the top of a Google search for a title is Amazon et al, and Goodreads, and Wikipedia if there’s an entry, but where the citation quality is extremely variable, and assorted high volume review blogs which are so spoiler-fixated that they don’t even get past the skin, never mind anywhere near the bones of the book. Meanwhile the 3000 word (“tl;dr”) thoughtful consideration published 8 years ago in plain-vanilla HTML — which once would have been at the top of the search rankings — might show up around about page 7, and the three richly detailed articles published in scholarly publications and archived in JSTOR might not show up at all and even as they did, would be inaccessible to most people .
And now there’s social networking, and everything’s still lists, and everything’s still linear, and moreover, links vanish into the silos of Facebook or Google or Delicious or Goodreads, although with RSS (however long that lasts) or IFTTT, at information can be propagated across silos.
With the result that we’re still making new lists, we still struggle to be aware of previous work, and we still have the perpetual first steps phenomenon.
… Wanders off grumbling to brood on this more.
 Something I remember realizing when picked up early Joanna Trollope on the basis of the very similar cover design to Mary Wesley‘s novels. Trollope is a fine writer, but (at least in her early novels) was the antithesis of the very thing I most liked in Mary Wesley – Trollope’s characters who defied convention were always punished.
 I have been known to describe myself as a geriatric script-kiddie, although such facetiousness is begging to be misunderstood. I am law abiding (except when cycling the streets of Montréal, which is an exercise in getting in touch with one’s inner anarchist) and I can usually figure out what’s going on in several programming languages.
 And as someone who has been an supporter of open access academic publishing since the days of the first Harold Varmus proposal in 1999, all I can say is have we lived and fought in vain.