Category Archives: Science fiction

Disintegrated again

Having once again zapped myself, rather than the garage door, with the garage door opener, I have concluded I would not have lasted long in Starfleet. My garage door opener looks very like a traditional phaser,the little flattened box, with no built in indicator as to which is the business end. I would therefore, at some point in my brief and ignominious career, have vanished in an orange matte outline while attempting to zap something that was trying to eat/dissolve/absorb me. No doubt I would be wearing a red shirt.

We SF writers assume that the future will be, if not better managed, better designed. There might be holocaust, dystopia, or global McDonaldization, but at least all the doors which are meant to be pushed will have a flat push plate rather than a pull bar, so you’re not yanking on the door with your eyes right level with the little sign saying “push” because the cues contradict each other and the design cue takes precedence over the written one in that small portion of your brain not occupied with working out what kind of envoy mission Horth would send Erien on to get him into trouble. The future should be dramatically interesting – when bad things happen, they should happen for interesting reasons, out of conspiracy, malice, or grand incompetence, rather than lousy interfaces. Then again, the signs are not encouraging. Consider video recorders and mobile phones, both of which are a user-challenge. Both of which have interfaces which are completely unrevealing of function. Certainly mobile phones are still operating with a phone interface laid over functionality that has nothing to do with digit-dialling. That may be why the web has caught people’s imagination: web interfaces can be custom designed (within the capricious constraints of browserdom and cross-platform hell) to actually reflect the underlying information structure.

It’s a matter of life and death, design. Until anaesthesia equipment was redesigned, there were always a small number of deaths from mix-ups of the oxygen and the nitrous oxide – tubes plugged into the wrong socket. No matter how many times people were reminded, trained, exhorted to vigilance or punished, the error continued to happen. Then the machines were redesigned so that it was not physically possible to hook up the wrong connections, and eliminated deaths from that cause. I’ve just finished a freelance project on errors concerning medicines administration, and the consensus of people in the field is that the safest possible system is one that is designed on the assumption that humans will make mistakes, so that there are built-in safeguards against human failure, but also one that allows recovery from mistakes, which involves allowing human experts to use their expertise. Overconstraining people may improve safety, but it will not improve safety as much as allowing initiative in recovering from error. It’s a delicate balance. The British Medical Journal dedicated a whole issue to Reducing error, improving safety.

So with regard to the disintegrating-Alison problem, the first and most robust solution would be the pistol-phaser: design it so it cannot be pointed at the user. A more sophisticated solution would be design so it detects that it is pointed at the same warm body that is holding the trigger and will not fire. Although in the time taken for that feedback to occur, and the realization to sink in that you need to point the other end at whatever is trying to eat you you already might have got et. And then that depends on the software working 100% of the time. So I’d tend to prefer the pistol-phaser. But make it too cumbersome and I’d leave it at home, or put it in my backpack where it would get buried under notebooks, and while I wouldn’t get disintegrated, I’d still get et.

Weekend, what weekend?

Back from Seattle, Rustycon. Memos to self: (1) in future take my own name badge, so even if the type on the badges is 14 point, I will be identifiable (2) request a printout of my schedule beforehand so that I can protest 4-panel stretches over lunch in advance of arrival. Sustainance today has consisted of: cinnamon roll and OJ at Barnes and Noble; 2 chocolate chip cookies waiting for the bus at 2 pm; 6 pieces of sushi in Seattle airport at 3:30 pm; one chocolate bar in Vancouver airport at 5:30 pm; 1 glass of rice milk at 9 pm. This was my own fault, for finding airport food and grocery shopping so unappealing. Had the usual mixture of ‘why am I DOING this’ and ‘when’s the next one’; found myself decidedly under-dressed for the occasion – though useful when passing for mundane in the hotel restuarant; am beginning to wonder if having Dr. on one’s credit card (change having finally stuck with the bank) results in getting better rooms. I don’t think I am growing deafer, or more tolerant. Wondered if airport employees are forbidden by contract from discussing public transit – all enquiries as to how to reach hotel led to taxis. Legwork eventually led to bus, with net saving $100+. Memo to self: advance-research public transit. Pretty good panels, although the worldbuilding one concluded in a decidedly licentous vein. But there were some nifty ideas floated, beforehand. And one of my fellow panellists had actually read Blueheart. I am still rather grovellingly grateful if someone I do not know has read one of my books!

Kim Stanley Robinson, heretic

I am not sure whether I want one of my favourite writers to get into trouble. But in a way it would be wonderful if someone actually noticed what he’d done in The Years of Rice and Salt – which I have read a Locus-ful of glowing reviews of. In an era in which the Western World is proclaiming itself as the Defender of Freedom, God Civilization and All Good Things, here’s a man who has written a novel that says to Western Civilization “you are quite irrelevant”. With the population in Europe obliterated by the Black Death, his world is shaped by China and the Arab nations, by Buddhism and Islam, and is as accomplished, as conflicted, as shot through with light and darkness, as our own. But completely different. I have the same reaction, reading the descriptions of the book, that Marie had to Phillip Pullman’s Dark Materials trilogy – do “they” possibly know what’s being said here. Or is SF/F entirely toothless, and living within its own little bubble.

Hellspark

Now, this gives me a perfect forum for book-notes, of which I have quite a few fragments on my hard drive, plus others rattling around in my head. Currently, Hellspark, by the wonderful Janet Kagan who does not write enough. What in particular struck me on reading Hellspark was what a great namer she is. Her ill-assorted survey team have names as diverse as the cultures they represent: Swift-Kalat twis Jalakat, Oloitokitok, layli layli calulan (which is not a name, but a title), Timosie Megeve, Ruurd van Zoveel, Tinling Alfvaen, Buntecrieh, Rav Kejesli, Om im Chdeayne, John the Smith and Edge-of-Dark. They’re barely functioning as a team because they’re constantly putting each other’s backs up with inadvertant (or not so inadvertent) obscenities, unintended aggressions and discourtesies, and it isn’t until they learn to see each other as “civilized people” that they are able to perceive the sentience of one of the native species (another marvellous name) the sprookjes.The Hellspark trader who is drawn into the situation is Tocohl Susumo and her ship’s “extrapolative computer” is Lord Maggy Lynn. In contrast to the Galactic standard language. Gal’Ling, which seeks to become a common denominator, Hellspark is an all inclusive language; therefore Hellsparks are traders, interpreters, intermediaries and judges. Tocohl has to start by interpreting the team members to each other. There’s a mob of characters, a great whirl of manners and linguistics, some wonderful descriptions, and of course the names. The last writer who struck me that way was Orson Scott Card (eg ramen, varelse – for his classes of sentients). In contrast to George Lucas, who has a fabulous visual imagination and a tin ear. Kagan is also the author of Mirabile which is sheer fun for any molecular biologist with its linked stories of a fire-fighting (sometimes literally) geneticist who has inherited someone else’s bright idea. And Uhura’s Song in which she got the woman who would fascinate Spock just right

.